William Dunlap: Playwright, Father of American Theater & 艺术家

By Heather Rockwood, Communications Manager

While searching the online collection 和 archives of the MHS for objects 和 stories to share on social media, I find myself going down rabbit holes when I find slight hints of an interesting story. 最近, this happened with a historical figure of note that I had never heard of, despite having done theater in my youth 和 being familiar with US history 和 art. That man was William Dunlap.

William Dunlap (1766–1839) is touted as the father of American theater; he was also influential in art, 文学, 和设计. He is perhaps most famous for his play André, which depicted George Washington on stage for the first time after the United States became a nation. On opening night in 1798, the play caused a bit of a sc和al. It tells the story of the British spy Major John André, who Washington executed during the American Revolution. One of the characters in the play is a soldier in the Continental Army. He becomes furious with Washington over the execution 和 tears the black cockade from the hat he was wearing 和 throws it to the ground. The audience erupted in fury at such desecration of a sacred Federalist symbol. They booed vociferously 和 then rioted after the play finished, forcing Dunlap to change the ending.

Modern color photograph of a young white man wearing a black cocked had with white trim 和 a rosette ribbon in black with a silver button at the center. His clothes are a white high-collared shirt, red 和 blue wool jacket of military design 和 he has a few white straps in leather 和 other materials going over both shoulders. In the background is a row of white military tents 和 further back is a tree line.
This image from Cockade Column depicts a soldier in a Continental Army uniform with a cocked hat sporting a black cockade.

Charles Frances Adams wrote in his 日记 of two occasions when he saw the Dunlap play, 那个陌生人, in 1833 和 1837, although the note in 1837 reveals he had seen the play in 1825 和 1834 as well. Adams wrote this about the play, “This is a piece I never can see without feeling it. Indeed I am more touched by it than by any. If this is the test of a good piece it certainly is good, but I require rather more. I feel the inconsistencies in the character of the heroine, 和 the affectations of sentiment, 它包含.”

Despite having lost an eye to an errantly thrown rock by a school friend as a boy, Dunlap was also a trained artist. He was mainly a portraitist, 和 the MHS holds a portrait he painted in New York City in 1811 or 1812 after his Park Theatre closed in 1805. The portrait is miniature watercolor of Elizabeth Oliver Lyde. When viewed up close, it shows great attention to the lines of her face, the shadowing 和 light on her cap 和 clothes, 和 the depth of emotion in her eyes.

Color photograph of a small portrait painting of an older white woman in an oval gold frame, with black painted wood frame around that. The figure is in ¾ profile 和 looks at the viewer with expressive dark eyes, she wears a frilled white cap that covers her hair, a large white shawl 和 a pink dress or shirt. The background is pink, lighter to the right, 和 gets darker as it goes left.
William Dunlap, 1811/1812, Elizabeth Oliver Lyde (1783–1820).

Not only was Dunlap a playwright, but he also wrote History of American Theatre in 1832, the first history of its kind, 和History of the Rise 和 Progress of the Arts of Design in the United States in 1834. He also served as the director of New York’s American Academy of Fine Arts in 1817, 和 then helped to found New York’s National Academy of Design in 1826.

After searching for collection items that are digitized, I was curious to see if the MHS held any of Dunlap’s plays. What I found was a cache of 57 items in book 和 microfilm form. MHS even has Dunlap’s published 日记, Diary of William Dunlap (1766–1839): the memoirs of a dramatist, theatrical manager, 画家, 评论家, 小说家, 和 historian! These items can be seen by making an appointment with the MHS Library. You can learn how to make an appointment 在这里.

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